You are being watched. The government has a secret system: a machine that spies on you every hour of every day.
I know, because I built it. I designed the machine to detect acts of terror, but it sees everything. Violent crimes involving ordinary people; people like you. Crimes the government considered 'irrelevant'. They wouldn't act, so I decided I would. But I needed a partner, someone with the skills to intervene.
Filme online gratis Acest site a fost creeat pentru TINE VIZITATORULE!!! Iti urez bun venit!!! Acum si aici te poti delecta cu cele mai noi filme online gratis. Gomorra is an Italian television crime drama series. It is based on the book Gomorrah by Roberto Saviano, and on the film Gomorra directed by Matteo Garrone, which won the 2008 Grand Jury Prize at the Cannes Film Festival.
Hunted by the authorities, we work in secret. You'll never find us, but victim or perpetrator, if your number's up. We'll find you. — Season one opening voice-over by Harold Finch.
This section may contain an excessive amount of intricate detail that may interest only a particular audience. Please help by or any relevant information, and removing excessive detail that may be against. ( December 2018) The Machine The Machine is an system, created at the request of the U.S. Government, to sift through the data collected by NSA.
It is able to accurately predict premeditated by analysing the data from all surveillance cameras and electronic communications worldwide which are fed to it by arrangement with the NSA. It divides those crimes based on whether they are relevant to national security; those relevant cases are handled by the, while the non-relevant cases in are the focus of the show. Built by Harold Finch following the events of, it was originally housed in two unoccupied floors of IFT—a company run by Harold and his best friend from college, Nathan Ingram—before being moved to the site of a in Washington state when delivered to the government. Finch initially keeps his early discovery that the Machine he created is actually to himself, later telling only a few close associates; the discovery leaves him wrestling throughout the series with the moral and ethical issues of human control, and risk of abuse or misuse. Initially, Finch wipes its memory daily as a precaution to prevent it becoming too capable, but eventually relents when the Machine identifies the memory-wiping program within its own system and asks how it can learn if it is unable to accumulate memories over time.
During season two, the Machine moves itself, piece by piece, to an unknown location or locations; during season four it is shown to have itself to control boxes on throughout the United States. A firm believer in, Finch originally designed the Machine as a complete ', providing only the Social Security Number of people involved with a lethal crime for subsequent human investigation. While this meant that the government was not able to misuse it or disregard privacy, it also meant that the numbers produced could belong to either a victim or a perpetrator. When Finch discovered that the Machine was tracking all premeditated crimes rather than just terrorist activities, he initially programmed it to delete the 'irrelevant' cases every night at midnight, explaining to Ingram that the Machine is not built 'to save somebody, we built it to save everybody.' Unknown to Finch, Ingram created a called 'Contingency', on the eve of the government handover, to allow access to the non-relevant data (shown accessed in the ). Finch is appalled that Ingram has this data sent directly to him and shuts down the routine, but reactivates it after Ingram's death. To minimize detectability, The Machine feeds him numbers in coded messages through.
Within the ISA, the program responsible for The Machine was known as Northern Lights before—after being leaked to the public, Northern Lights was shut down. The private technology firm Decima Technologies steals a hard drive containing code from a separate artificial intelligence, Samaritan, which was commissioned by the ISA as a contingency in case Northern Lights/The Machine became unavailable. In season three, Samaritan is built and completed by Decima, and replaces Northern Lights in supplying information to the government. Samaritan takes a much more active role in covertly shaping society towards the goals set for it, including use of violence and recruitment and deployment of people in furtherance of its aims, and The Machine and its human associates go underground, spending season four under cover.
Much of the series is from the point of view of the Machine: scene transitions are framed as video feeds of surveillance camera footage and satellite imagery, and flashbacks as the Machine reviewing past recordings in real time. In the Machine-generated perspective, individuals are marked by dashed boxes with different colors indicating the person's status in relation to The Machine and whether they pose a threat. Season four features Samaritan's point of view, using a different, with some episodes jumping back and forth between the two AIs' viewpoints. Over the course of the series, the internal 'thought processes' of The Machine are shown, including the prediction models and probability trees it uses. The Machine in its current iteration started running on January 1, 2002, following 42 failed attempts. During the season four episode, a previous generation of The Machine's was shown on screen, which was that of the worm.
It generated the first perpetrator and victim data on February 8, 2005, following three years of training by Finch. Near the end of season five, after Root's death, Finch agrees with his associates' request and allows the Machine to communicate by its own volition with them, using a voice.
The Machine uses Root's voice (who had recently been killed) and begins guiding Finch to destroy Samaritan using the virulent Ice-9 computer virus even though this will also destroy the Machine. Ice-9 destroys both Samaritan and the Machine, with Reese dying as he uploads a copy of the Machine to a to destroy Samaritan's final backup of itself. A week after Samaritan's destruction, the Machine undertakes its own return to earth and restores itself to full functionality there. It contacts Shaw and begins to resume its work through her. Samaritan Initially developed by Arthur Claypool (a former classmate of Finch and Ingram) at the, Samaritan was the result of a second, similarly-targeted project, that was terminated by the government when the Machine was developed first. Later the Samaritan project was resurrected by Greer, Director of Operations at Decima, and Samaritan became adopted by the U.S. Government as a replacement for the Machine.
Unlike the Machine, Samaritan is designed as a more open system rather than a, lacking the precautionary restrictions Finch had built into the Machine, and can be directed at specific targets. It is very aggressive in its approach to 'threats', and often orders the elimination of persons (labeled 'Deviants') that it considers threats to the U.S. Or – later – to itself.
It identifies a group of several hundred individuals (including Elias and Dominic) that will prevent its plans and sends agents to kill them all in an operation called 'The Correction'. Although nominally under Greer's control, Greer wants to allow Samaritan to reshape the world and guide humanity.
Shows Samaritan gaining power and building a global network of agents and companies while seeking to find and eliminate the Machine and Finch's team. Samaritan has agents within the ISA (and possibly other agencies) and (according to Greer) has rigged at least 58 national and state elections in the U.S. To position its favored candidates. In season 5, Greer states that Samaritan is beyond his control and he sees it as the next level of evolution.
In the final episodes of the series, Finch uploads the virulent Ice-9 to the 's computer systems and other systems containing backups of Samaritan. The virus destroys both Samaritan and the Machine, while also causing significant damage to global computing. Samaritan's last backup, transmitted by Samaritan to an orbiting satellite as a last resort, is eliminated when Reese uploads a copy of the Machine carrying the Ice-9 virus to the same satellite. Episodes. Michael Emerson filming Person of Interest in New York The series was officially picked up by CBS on May 13, 2011, and debuted on September 22, 2011. On October 25, 2011, the show received a full season order. It was renewed for a second season on March 14, 2012, by CBS, which premiered on September 27, 2012.
CBS renewed Person of Interest for a third season on March 27, 2013, with and promoted to series regulars. The series was renewed for a fourth season on March 13, 2014, and was renewed for its fifth and final season on May 11, 2015. Recording for the series was done at recording studio.
The music is composed. The soundtrack was released on November 12, 2012. The soundtrack was released on January 21, 2014. The soundtrack, which contained music from the third and fourth season was released on January 29, 2016. Reception According to, Person of Interest received the highest test ratings of any drama pilot in 15 years, what one CBS executive called 'crazy broad appeal you don't usually see', prompting CBS to move, which was broadcast on Thursday for over 10 years, to Wednesday, opening up a slot for Person of Interest.
The pilot episode won its time slot, drawing 13.2 million viewers. Critical reception The first season of Person of Interest received generally positive reviews, with the pilot episode drawing a favorable response from critics and later episodes receiving higher praise. On, the season scored 66 out of 100 based on 26 reviews. Of the pilot, David Wiegand of the said ' Person of Interest separates itself from the gimmick pack, not only because of superbly nuanced characterization and writing but also because of how it engages a post-9/11 sense of paranoia in its viewers.' David Hinckley of the New York gave the pilot four stars out of five, commenting on Caviezel's and Emerson's performances, saying Caviezel 'brings the right stuff to this role' and Emerson 'is fascinating as Mr.
Mary McNamara of the stated that in regard to the pilot, 'the notion of preventing crimes rather than solving them is an appealing twist. The surveillance graphics are very cool.' The episodes 'Many Happy Returns' and the finale 'Firewall' were particularly acclaimed. Tim Surette of called the former one of the series' 'best episodes', commending Caviezel's performance and the episode's character exploration, while the latter was called 'exactly what a season finale should be', with Surette concluding his review by saying 'Firewall' was a spectacular finish to what has been an incredibly surprising first season of Person of Interest.' On, the season has an approval rating of 63% and average rating of 6.65 out of 10 based on 35 reviews.
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The site's critical consensus is, ' Person of Interest is a well made and well acted espionage procedural, though its characters aren't terribly well developed and its intriguing premise yields mixed results.' The second season received positive reviews. Surette praised the premiere episode as 'vintage Person of Interest amplified, showing off its trademark combination of complex intrigue, creative action, and clever innovation in bigger ways than ever before.' He praised guest star 's character as 'one of the greatest POIs the series has had' and praised the episode's overall narrative, as well as the flashbacks. ' and ' were the two highest-rated episodes of the season, with Surette calling the former 'as complete an episode of Person of Interest as there's ever been' and 's Phil Dyess-Nugent praising 's directorial work in the latter.
The season finale ' also attracted positive reactions. Nugent called it an 'unapologetically kick-ass episode' with some 'terrific action set-pieces'.
On Rotten Tomatoes, the season has an approval rating of 100% and average rating of 8.03 out of 10 based on 6 reviews. The third season received highly positive reviews, and is noteworthy for drawing in more critics for its exploration of, as well as its timely storytelling format. In regards to the season, said that the show 'is at its best when sticking to cutting-edge topics' and called it a 'solid action-thriller that intersperses twist-filled standalone episodes into its season-long arcs.' Said that the show captures the 'national post-post-9/11 mood' and that with the mid-season arc in season three, 'turns conspiracy theory into art'. The season's two story arcs both received a considerable amount of praise: the two episodes ending the HR storyline are commonly considered to be some of the best episodes of Person of Interest. Matt Fowler of gave 'The Crossing' a 10 out of 10, reacting extremely positively to the cliffhanger at the ending. The episode to follow, ', was the most acclaimed episode of the season, being praised for its opening sequence, its writing, 's direction, and the acting performances, especially those by Jim Caviezel and Kevin Chapman.
Surette called the episode a 'stunner' and declared it as the series' possible best episode, praising the opening sequence as the 'greatest sequence the series ever put together', feeling it succeeded in eclipsing the devastation induced by Carter's death. Surette also praised Fusco's effectiveness and character development in the episode, as well naming the cinematography and direction to be the best of the series, and identifying points of symbolism in the episode he felt were noteworthy and effective. Fowler gave the episode an 'amazing' rating of a 9.3 out of 10, also praising the opening sequence, as well as the flashbacks and the ending scene. Phil Dyess-Nugent of The A.V. Club gave the episode a perfect A rating, praising the atmosphere of grief the episode built and feeling Fusco's character development served as an appropriate tribute to Carter.
Sean McKenna of TV Fanatic called the opening sequence 'brilliant', while Courtney Vaudreuil of TV Equals praised the ending. On Rotten Tomatoes, the season has an approval rating of 100% and average rating of 7.72 out of 10 based on 11 reviews.
The site's critical consensus is, ' Person of Interest weaves compelling standalone stories into its engrossing serial narrative, and incorporates welcome bursts of humor into its sci-fi mystery core.' The fourth season received highly positive reviews, with critics praising the thematic value of the Samaritan storyline. The episode ' garnered near-unanimous praise from critics and audiences alike, with many considering the episode to be the best entry in the series. Fowler gave the episode a perfect rating of 10 out 10, indicating it to a 'masterpiece', and praised the simulation format, the action scenes, the emotional value, and the ending. He called the episode 'next-level inventive' and a 'jolting, exciting, heart-wrenching episode'.
Fowler said the ending scene 'crushed' him, and he also offered praise to the significance of the flashbacks to the chess games. Alexa Planje of The A.V.
Club gave the episode an A rating, and in her review, said that though the task of executing a story structured like 'If-Then-Else' was difficult, the episode did so 'elegantly' – she cited the 'interesting score, vibrant color work, and humor' as the key elements. Planje said the episode 'aces every scenario' during the simulation segments, and appreciated how the episode transformed itself from what appeared to be a 'standard mission-focused story' into a 'moving ode' to Shaw. She also praised the episode's exploration of the parallels between being a human and being a machine. Shant Istamboulian of lauded Emerson's performance in the flashbacks and felt the season marked the series' 'creative peak'. He concluded by saying 'Moving like a rocket, this episode is fast, funny, exciting, and, ultimately, sad, ending with what seems like the loss of another team member.
We'll have to wait until next week for the outcome, but as it stands, 'If-Then-Else' is an instant classic.' Surette also had high praise for the episode, calling it 'playful, mind-bending, heart-breaking, and flat-out excellent.'
He praised the episode's incorporation of its 'recurring theme of sacrifice', and called the flashbacks 'as fascinating and provocative as anything the series has done.' Surette cited his favorite part of the episode as the exploration of the Machine's perspective, and additionally praised the humorous segments. On Rotten Tomatoes, the season has an approval rating of 100% and average rating of 8.28 out of 10 based on 10 reviews. The site's critical consensus reads, 'Thought-provoking, grounded sci-fi makes season four of Person of Interest as compelling as it is timely.' The fifth season received highly positive reviews. On Rotten Tomatoes, the season has an approval rating of 100% and average rating of 8.25 out of 10 based on 6 reviews. Ratings Season Time slot Premiere Finale TV season Rank Viewers (in millions) Live + DVR viewers Date Viewers (in millions) Date Viewers (in millions).
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. Lee Jin-duk. Kim Sun-chul. Park Hwa-jin Editor(s) Oh Sere-na Camera setup Running time 60 minutes Production company(s) Distributor Release Original network Picture format Audio format Original release November 14, 2016 ( 2016-11-14) – January 13, 2017 ( 2017-01-13) External links Weightlifting Fairy Kim Bok-joo (: 역도요정 김복주;: Yeokdo-yojeong Gim Bok-ju) is a starring in the title role. It is a coming-of-age sports drama, inspired by the life of Olympic gold-medalist. It aired on every Wednesday and Thursday at 22:00 starting November 16, 2016 to January 11, 2017.
The series resonated with the young demographic; although it averaged 4.6% in audience share, and received the lowest viewership ratings in its time-slot throughout its run. It's become an inspiring cult classic. Gaining a cult following amongst young viewers, and received mostly favorable reviews. Contents. Synopsis A coming-of-age story about a group of college athletes who are fighting for their dreams, experiencing and finding love in the process, and growing every step of the way. Kim Bok Joo is a weightlifter who has a crush on Joon Hyung's older brother, Jung Jae Yi.
At first Joon Hyung teases her and goes along with her act, but soon after that he himself falls for her. Cast Main. as Kim Bok-joo A naturally gifted with an ambitious yet quiet outgoing personality. While growing up with her father who was a former weightlifter, she got inspired to do the same thing- to lift weights.
She stands up for injustice as well; she still feels the shyness and awkwardness around boys but does not hesitate to beat them up if the time is needed but she hides her insecurities and fragile heart under her strong exterior. as Jung Joon-hyung He is Kim Bok-joo's childhood friend from when they were little in school, both Kim bok-joo and himself didn't recognize nor remembered each other even though she looked familiar to him, but that was until an incident came along and dug up memories. A talented swimmer with a playful personality. He suffers a that began when he realized that the postcards being sent to him by his mother was actually from his aunt and uncle, which coincides with his first big international tournament, he later made a false start and got disqualified.
He enjoys teasing Bok-joo, and later falls in love. as Jung Jae-yi Joon-hyung's cousin and older brother. A former athlete who becomes an doctor due to an injury. His gentle and kind personality makes him the first man that Bok-joo falls in love with. as Song Shi-ho Bok-joo's roommate and Joon-hyung's ex-girlfriend. A top-class, who won a silver medal at the at the age of eighteen.
She is an overachiever, and is under constant stress about her developing figure, which causes her to break up with Joon-hyung. Supporting Weightlifting team.
Cho Hye-jung as Jung Nan-hee, despite her strength is a very feminine girl and dream of romances always willing to spread happiness. as Lee Seon-ok, is direct, love to eat and does not show much affection but is loyal to her friends. Getting to 'demonstrates' some potential interest in Tae-Kwon. as Yoon Deok-man, Professor/Coach. as Choi Sung-eun, Coach. Oh Eui-sik as Bang Woon-ki, Team Captain. as Bitna, Bok-joo's junior.
Moon Ji-yoon as Sang Chul. Jo Mi-nyeo. Yoo Joon-hong.
Noh Yeong-joo. Lee Ye-bin Swimming team. as Soo-bin A rising star collegiate rhythmic gymnast who competes with Shi-ho. Ray Yang as Sung Yoo-hwi, Coach.
Lee Seul. Oh Ha-nui.
Kim Yoo-ji. Jung Yoo-jin People around Bok-joo.
as Kim Chang-gul Bok-joo's father, a former weightlifter who owns a fried chicken restaurant. as Kim Dae-ho Bok-joo's uncle, a part-time aspiring actor who works at the restaurant People around Joon-hyung. as Joon-hyung's maternal uncle and foster father. Lee Jung-eun as Joon-hyung's maternal aunt and foster mother Extended. as Go Ah-young A doctor at the Hanwool College of Physical Education. She has a crush on Jae-yi. as Psychotherapist.
Kim Yoon-ji. Kim Chae-eun. Kim Cha-kyung. Seo Wang-seok. Kim Hyun-jung as Dormitory's house mistress.
Jung Hyun-seok as Dormitory's house mistress. Park Jung-min. Park Gun-lak. Lee Joon-hee. Lee Suk-jin.
Lim Seo-jung. Yoo Yeong-bin.
Lim Uk-jin. Lim Geun-seo. Jung Soo-in.
Seo Kwang-jae. Choi Nam-wook. Tae Won-seok. Heo Min-kang.
Jeon Ji-ahn Special appearances (Cameo). as Weightlifting contestant (Ep.
1). as Choi Tae-hoon (Ep. 1, 15). Lee Soo-ji as Ku Seul (Ep. 1). as Jong-suk, Chicken Restaurant Customer (Ep.
2). as Kim Jung-yeon, Joon-hyung's biological mother (Ep. 6, 14-15). as announcer. Ahn Il-kwon. as Song Shi-eon, Shi-ho's sister (Ep. 8-9, 13).
as Bok-joo's fellow worker (Ep. 11).
as Hwan-hee, Jae-yi's ex-girlfriend (Ep. 12).
Min Sung-wook as Sang-goo (Ep. 12). as Seul-gi, supermarket employee (Ep. 15) Production The series is written by Yang Hee-seung of the 2015 romantic comedies and; and directed by PD Oh Hyun-joong of. The first script reading took place on August, 2016 at broadcasting station in,.
Original soundtrack OST Part 1 No. Title Artist Length 1. 'You & I' Kim Jong-wan 3:37 2. 'You & I' (Inst.) 3:37 Total length: 7:14 OST Part 2 No.
Title Artist Length 1. 'From Now On (앞으로)' Kim Min-seung 3:33 2. 'From Now On (앞으로)' (Inst.) 3:33 Total length: 7:06 OST Part 3 No. Title Artist Length 1.
'Dreaming (꿈꾼다)' Han Hee-jung 4:02 2. 'Dreaming (꿈꾼다)' (Inst.) 4:02 Total length: 8:04 OST Part 4 No.
Title Artist Length 1. 'Somehow (왠지 요즘)' J.Mi (Lush) 3:25 2. 'Somehow (왠지 요즘)' (Inst.) 3:25 Total length: 6:50 OST Part 5 No. Title Artists Length 1.
'I'll Pick You Up (데리러 갈게)' 3:45 2. 'I'll Pick You Up (데리러 갈게)' (Inst.) 3:45 Total length: 7:30 OST Part 6 No. Title Artist Length 1. 'Permeate (스르륵)' 3:37 2. 'Permeate (스르륵)' (Inst.) Total length: 7:14 OST Part 7 No. Title Artist Length 1.
'Again Again Again (또또또)' 2:24 2. 'Again Again Again (또또또)' (Inst.) 2:24 Total length: 4:48 Ratings. In the table below, the blue numbers represent the lowest ratings and the red numbers represent the highest ratings. NR denotes that the drama did not rank in the top 20 daily programs on that date.
16 January 2017. Yonhap News Agency. OSEN (in Korean). Weightlifting Fairy Kim Bok-joo premieres in last place with 3.3%. Newsis (in Korean). Weightlifting Fairy Kim Bok-joo ends in last place with 5.2%.
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(in Korean). at (in Korean).